Mosaic murals for the platforms, passages and escalator entrances of Tottenham Court Road tube station, London, and Paolozzi's most extensive work. Escalator entrance murals were removed as part of redevelopment, and were donated to the University of Edinburgh though most mosaics remain in situ and were restored in 2017. [21] [22] Discover wonderful wildlife tours to book and experience in Scotland, including bird watching safaris, whale watching, farm tours and much more! Eduardo’s artwork ‘Illumination and the Eye’ is displayed on the bottle and fount, and Edinburgh Beer Factory will be showcasing other artworks at the brewery when it opens next summer to the public. The beer is endorsed by the Paolozzi Foundation, and a charitable donation for every bottle and pint sold will go to promote Paolozzi’s work and ideas to the general public. Eduardo Paolozzi was born in Leith, Edinburgh, to Italian immigrant parents in 1924. He went on to launch the Pop Art movement and become a globally influential artist in collage, screenprinting and sculpture. Transforming overlooked, everyday objects into works of art, Paolozzi’s approach was summed up in his idea of revealing the ‘ sublime in the everyday’.

He was promoted to the office of Her Majesty's Sculptor in Ordinary for Scotland in 1986, which he held until his death. He also received an Honorary Doctorate from Heriot-Watt University in 1987. [18] Edinburgh Beer Factory, newly-founded by John Dunsmore, ex-CEO of Scottish & Newcastle and C&C Group, held the huge event to launch the new lager and honour the inspiration behind its name and brand, Leith-born artist and sculptor Eduardo Paolozzi. However, I’ve got a horrible inkling that the reason my memory is so blank is because I might have bunked off to meet my then boyfriend. Report by Eduardo Paolozzi, 23 October 1961". liverpoolmuseums. Archived from the original on 4 January 2017 . Retrieved 3 January 2017. In 1994, Paolozzi gave the Scottish National Gallery of Modern Art a large body of his works, and much of the content of his studio. In 1999 the National Galleries of Scotland opened the Dean Gallery to display this collection. The gallery displays a recreation of Paolozzi's studio, with its contents evoking the original London and Munich locations and also houses Scottish-Italian a restaurant, Paolozzi's Kitchen, which was created by Heritage Portfolio in homage to the local artist. [8]At the heart of the Edinburgh Beer Factory is a family-owned business based on strong values and a long term perspective. We’re so proud of our inaugural lager and raise a toast to the great Eduardo Paolozzi who we’re sure would love to be here enjoying a glass with us.” Paolozzi was appointed CBE in 1968 [16] and in 1979 he was elected to the Royal Academy. During the late 1960s, he started contributing to literary magazine Ambit, which began a lifelong collaboration. Chartered Accountants' Hall: Inside a piece of history". Vital (46): 20–21. October 2010 . Retrieved 23 May 2019.

The space has been decorated in colours that might have appeared on his early mosaics or prints, and the menu, with food by Heritage Portfolio, has an Italian Scottish twist. Thankfully, the massive still life of cakes remain on the counter, including my usual ginger and oat slice, which is also available at Modern One, and is sweet enough to put the o! in glucose. Paolozzi Restaurant & Bar is a partnership between Edinburgh Beer Factory and Gino Stornaiuolo, Scots-Italian restaurateur and former DJ. We showcase freshly brewed, local beers, Italian Scottish dishes, Eduardo Paolozzi art works and fresh music playlists. Sir Eduardo Luigi Paolozzi CBE RA ( / p aʊ ˈ l ɒ t s i/, [1] [2] Italian: [paoˈlɔttsi]; 7 March 1924 – 22 April 2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.In 2013, Pallant House Gallery in Chichester held a major retrospective Eduardo Paolozzi: Collaging Culture (6 July −13 October 2013), featuring more than 100 of the artist's works, including sculpture, drawings, textile, film, ceramics and paper collage. Pallant House Gallery has an extensive collection of Paolozzi's work given and loaned by the architect Colin St John Wilson, who commissioned Paolozzi's sculpture Newton After Blake for the British Library. Cast aluminium doors for the University of Glasgow's Hunterian Gallery, commissioned by William Whitfield In the 1960s and 1970s, Paolozzi artistically processed man-machine images from popular science books by German doctor and author Fritz Kahn (1888–1968), such as in his screenprint "Wittgenstein in New York" (1965), the print series Secrets of Life – The Human Machine and How it Works (1970), or the cover design for John Barth's novel Lost in the Funhouse (Penguin, 1972). As recently as 2009, the reference to Kahn was discovered by Uta and Thilo von Debschitz during their research of work and life of Fritz Kahn. [15] Later career [ edit ] Paolozzi mosaic designs for Tottenham Court Road Station. Location shown is the Central Line westbound platform (1982). Speaking at the event, John Dunsmore said: “It’s an exhilarating experience to be launching our inaugural beer in such a unique venue. A big thank you is owed to the whole team who have worked incredibly hard to help us reach this milestone.

Jonathan Clark. "Eduardo Paolozzi (1924–2005) – Jonathan Clark Fine Art". Archived from the original on 3 November 2012. In 2001, Paolozzi suffered a near-fatal stroke, causing an incorrect magazine report that he had died. The illness made him a wheelchair user, and he died in a hospital in London in April 2005. [20] The Manuscript of Monte Cassino, an open palm, a section of limb and a human foot, located at Leith Walk, looking towards Paolozzi's birthplace Leith

Food and ambience

In 1980, the Institute of Chartered Accountants in England and Wales (ICAEW) commissioned a set of three tapestries from Paolozzi to represent 'present day and future societies in relation to the role played by ICAEW', as part of the institute's centenary celebrations. The three highly distinctive pieces - which Paolozzi wanted to "depict our world of today in a manner using the same bold pictorial style as the Bayeux tapestries in France" - currently hang in Chartered Accountants' Hall. [17] When it comes to accommodation in Scotland, there's a fantastic choice of amazing stays from luxury hotels to glamping getaways.

Paolozzi's graphic work of the 1960s was highly innovative. In a series of works he explored and extended the possibilities and limits of the silkscreen medium. The resulting prints are characterised by Pop culture references and technological imagery. These series are: As Is When (12 prints on the theme of Paolozzi's interest in the philosopher Ludwig Wittgenstein; published as a limited edition of 65 by Editions Alecto, 1965); Moonstrips Empire News (100 prints, eight signed, in an acrylic box; published as a limited edition of 500 by Editions Alecto, 1967); Universal Electronic Vacuu (10 prints, poster and text; published by Paolozzi as a limited edition of 75, 1967); General Dynamic Fun. (part 2 of Moonstrips Empire News; 50 sheets plus title sheet; boxed in five versions; published as a limited edition of 350 by Editions Alecto, 1970). Inspired by this philosophy, Edinburgh Beer Factory launched in 2015 with their flagship beer, ‘Paolozzi’ lager. They have since expanded their ‘Paolozzi’ beer series, all of which feature artworks by Eduardo, and make a charitable donation to the Paolozzi Foundation for every beer sold.A reinvention of a beer often overlooked, Paolozzi is a 5.2% lager created with contemporary Italian brewing technology. The result is an exceptionally refined beer with a perfect bitter-sweet balance and fabulously sparkling appearance. In Paolozzi’s words, it’s something “sublime in the everyday”. Eduardo Paolozzi was born on 7 March 1924, in Leith in north Edinburgh, Scotland, and was the eldest son of Italian immigrants. [3] His family was from Viticuso, in the Lazio region. Paolozzi's parents, Rodolfo and Carmela, ran an ice cream shop. Paolozzi used to spend all his summers at his grandparents place in Monte Cassino and grew up bilingual. [4] In June 1940, when Italy declared war on the United Kingdom, Paolozzi was interned (along with most other Italian men in Britain). During his three-month internment at Saughton prison his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the Arandora Star, was sunk by a German U-boat. [5] He taught sculpture and ceramics at several institutions, including the Hochschule für bildende Künste Hamburg (1960–62), [13] University of California, Berkeley (in 1968) and at the Royal College of Art. Paolozzi had a long association with Germany, having worked in Berlin from 1974 as part of the Berlin Artist Programme of the German Academic Exchange Programme. He was a professor at the Fachhochschule in Cologne from 1977 to 1981, and later taught sculpture at the Akademie der Bildenden Künste in Munich. Paolozzi was fond of Munich and many of his works and concept plans were developed in a studio he kept there, including the mosaics of the Tottenham Court Road Station in London. [9] He took a stab at industrial design in the 1970s with a 500-piece run of the upscale Suomi tableware by Timo Sarpaneva that Paolozzi decorated for the German Rosenthal porcelain maker's Studio Linie. [14] Artists' Llives: Sir Eduardo Paolozzi Interviewed by Frank Whitford C466/17" (PDF). National Life Stories. British Library . Retrieved 15 March 2022. Among other things, we were going to visit the studio of an alumnus – the Italian Scots sculptor Eduardo Paolozzi, who died in 2000.