Daredevil by Frank Miller & Klaus Jason Omnibus (New Printing)

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Bohužel je to z doby, kdy o "show don't tell" v komiksech nikdo neslyšel a na spoustě míst je to vidět dost bolestivě.

Then David Micheline wrote another issue or two, which admittedly was a little better, but still not very good. In a sea of good things to offer, Miller’s grand feat is probably turning Daredevil into an antihero above anything else. Si bien los primeros números son un poco tontos y se aquejan de esas historias tan flojas a los que nos tenían acostumbrados los comics antes de que la revolución de los 80 y artistas como el propio Miller los orientaran hacia tramas más adultas, según avanzan las páginas avanza su interés y su lectura se disfruta cada vez más. Frank Miller is one of the seminal creative talents who sparked the current gigantic sub-industry of motion pictures featuring comic book- initiated product.Fue uno de sus primeros trabajos, que le acabaría consagrando como artista completo pues apenas dos años después se pondría también al cargo de los guiones. Glad I did too because the pair give a very informative take on their run on the book and on the character and even into the comic book industry itself. Y haciendo lo que le daba la gana, no solo salvó a Daredevil, sino que marcó un punto y aparte que ha influenciado y ha sido respetado durante casi 40 años por los autores que llegaron a la cocina del infierno después él.

Like, he sees everyone literally dressed in a red spandex, 'so tight that you can see what religion people are', to quote a legendary joke by Robin Williams. Se devora sin pausa, atrapado por una buena historia llena de matices y por la infinidad de recursos y experimentos que hace Miller en sus viñetas. Sure, there were a few duds here and there, and more than a few missed opportunities that had me rewriting the great Frank Miller in my head, as sacrilegious as it sounds. Waiting for that moment when I needed a guaranteed winner to wash the taste of mediocrity out of my mouth.Since Miller is writing the series, he relied on Klaus Janson who complimented Miller’s art so well, for inking and finishing up his rough sketches. It mostly lays flat and there is little to no gutter loss so I think you will be happy with the binding.

My criticism of his run lies solely with the fact that he wasn’t also providing the story for these issues. Interpersonal relationships were well explored and less lionizing than the typical superhero fare which I appreciated as well.The central part of the story revolves around a fist fight in a movie theatre, with the Maltese Falcon in background.

I'd much rather have Frank Miller break up Matt and Heather permanently than have this on again off again dynamic.Also note that, before Miller came along, the Daredevil comic was floundering on the edge of cancellation. I really love how Miller’s characterization of the Kingpin, especially after the death of his wife, and the whole Death of Elektra story arc. If you get this book you will truly understand what all the fuss about both Frank Miller and Daredevil himself is all about.