The first four comic covers feature Amilyn Holdo from The Last Jedi, Khel Tanna, a scoundrel employed by Jabba in Han Solo & Chewbacca, bounty hunter Chanath Cha, who is currently seeking Darth Vader in Hidden Empire, and Leia wearing the Boushh disguise she made famous in Return of the Jedi. The Magnificent Movie Poster World of Drew Struzan LIVE IN CONCERT — Golden State Pops Orchestra". www.gspo.com. Archived from the original on September 24, 2017. Another new series on the horizon doesn’t even have a title, just a code name: Grammar Rodeo, a reference to an episode of The Simpsons in which Bart and his schoolmates steal a car and run away for a week, using a phony educational event as an alibi. The show takes place during the post– Return of the Jedi reconstruction that follows the fall of the Empire, the same as The Mandalorian, but its plot remains a secret. It’s created and executive-produced by director Jon Watts and writer Chris Ford, who made Spider-Man: Homecoming for Marvel. A casting notice has called for four children, around 11 to 12 years old. Inside Lucasfilm, the show is being described as a galactic version of classic Amblin coming-of-age adventure films of the ’80s.

During this period, Struzan continued his association with Lucas by designing the original Industrial Light & Magic logo, and creating the associated one-sheet artwork for both the continuing Star Wars saga and the Indiana Jones series of films. In the process, Struzan's work became, in the public mind, the defining visual images representing those series. As such, he was also sought after to create new artwork for re-releases and reissues on video and DVD, book covers, theme-park rides and video game titles for those properties. [ citation needed] 1990s–2000s [ edit ] Struzan's cover art for Action Comics #800 (April 2003), with a self-portrait seen at the lower left In 2008, Struzan in collaboration with his art director son, Christian, created the official poster for the 80th Academy Awards. [20] Yamato, Jen (January 9, 2015). "'Batkid Begins' Draws Poster Icon Drew Struzan Out Of Retirement – Video". Deadline Hollywood.The Making of the Poster". StarWars.com. March 10, 2000. Archived from the original on May 13, 2011. I'm excited to be celebrating Pride Month with Star Wars ! For real, I'm definitely a big fan of the prequel trilogy; I have such a special fondness for Episodes I to III, so drawing characters from The Phantom Menace for this cover was a very cool experience.” -- Kei Zama After meeting at Kennedy’s office in Santa Monica, Favreau started work without even a contract. “I just started writing,” he says. “So by the time I was officially hired, I had already written the first, I think, four episodes.” Stephens, Dan (January 6, 2011). "Movie Poster Artist: The Work of Drew Struzan". Top10Films.co.uk.

In 2009, Struzan (in collaboration with Jim Sanders of Reel Ideas) produced a DVD, Conceiving and Creating the Hellboy Movie Poster Art, as a step-by-step documentation of his creative process, techniques, and industrial experience. Shot in his studio, the DVD is intended to provide an over-the-shoulder look at the thinking and techniques that go into Struzan's posters. Published in 2019, Struzan illustrated the book A Bloody Business ISBN 978-1785657702 about prohibition and organized crime, written by his wife Dylan Struzan. [32] Creative process [ edit ] I’m really happy to be a part of this, especially when I found out I'd be drawing Kho Phon Farrus. I always gravitate towards the more villainous characters and this one has such a great design. It's great to highlight that by its nature, the Star Wars universe is an infinitely inclusive and diverse place." -- Derek CharmIn January 2019, for the release of How to Train Your Dragon: The Hidden World Struzan came out of retirement again to create three separate posters for the How to Train Your Dragon film trilogy. [30] This series followed the exclusive Comic-Con poster Struzan did for the release of How to Train Your Dragon 2 in 2013. [31] Star Wars and Marvel are about as culturally relevant as it gets, and to see the support they’re giving the LGBTQIA+ community during Pride Month is something special. I didn’t know much about Vi Moradi before I started researching her for this piece -- and I’m hoping now even more people will recognize her and the important role she plays in the Star Wars universe!” -- Phil Jimenez I love the texture of paint made of colored earth, of oil from the trees and of canvas and paper. I love the expression of paint from a brush or a hand smearing charcoal, the dripping of paint and moisture of water, the smell of the materials. I delight in the changeable nature of a painting with new morning light or in the afternoon when the sun turns a painting orange or by firelight at night. I love to see it, hold it, touch it, smell it, and create it. My gift is to share my life by allowing others to see into my heart and spirit through such tangible, comprehensible and familiar means. The paint is part of the expression. [17]

Thomas Newman and Brian Tyler Help Celebrate 'The Magnificent Movie Poster World of Drew Struzan' ". December 7, 2017. The first of Momoko’s variant covers go on sale on March 1 with the following comics spearheading the charge: Hidden Empire #4, Han Solo & Chewbacca #10, and Star Wars #32. Monahan, Kelsey (August 1, 2014). "The Artist Behind the Stamp". Smithsonian National Postal Museum.But that had been a selling point for him too. The character, later revealed to be named Din Djarin, is such a hard-line devotee to Mandalorian rules that he scrupulously keeps his helmet on in the presence of others. That means Pascal can sometimes play the role as a voice actor while a stand-in wears the armor, which frees him to accept other projects. “Maybe I’m a little bit of a commitment-phobe,” he says, “because the coolness of it really excites me, and the life span of it really intimidates me.” In September 2009, Struzan produced an image for publication in Kurv magazine of Mattel's Barbie, in celebration of that doll's 50th anniversary year.

On that day in mid-2019, when Luna was recruited for Andor, the actor remembers looking out the car window at the rooftops of the adjacent buildings, visualizing the tale about resistance-minded spies and near-death escapes. He was especially glad that Gilroy’s proposal included details that resonated personally. Luna describes Andor as a refugee story, with desperate people fleeing the Empire at the full force of its power. “It’s the journey of a migrant,” he says. “That feeling of having to move is behind this story, very profoundly and very strong. That shapes you as a person. It defines you in many ways, and what you are willing to do.”

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Holberton, Priscilla (2007). "The Artist and the Stamp: Drew Struzan". Montgomery College. Retrieved January 30, 2017. Lula and Zeen have a beautiful story, as epic as any starfighter battle, and I wanted to showcase that. An intimate, tender and quiet moment together. A loving hug looking at the stars, their destiny! Because in the great scheme of things, even on a galactic level, it's the small human things that really matter.” -- Javier Garrón