In Rainbows

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The overall mood is relaxed - something unprecedented when it comes to Radiohead albums, but a satisfaction at being rid of their label and mostly happy family men seems to have brought out the best in the band. Keep in mind that anyone can view public collections - they may also appear in recommendations and other places. It features a fuzzed-up distorted guitar that sounds like it was recorded through a cheap practise amp turned up to 11. After 15 years of continual, radical transformation, Radiohead found themselves with time, freedom and acquired wisdom. Known for their thought-provoking lyrics and innovative approach to music production, they have become one of the most influential bands of our time.

OK, they are my favourite band, so I am bound to be a little biased, but even so, one thing about this record compared to their last (2003's 'Hail to the Thief') is how immediate it is.Shortest song on the album, and features an almost-stream-of-conciousness lyric a la 'Wolf At The Door' from 'Hail to the Thief'. We use cookies to give you the best possible experience on our site, provide personalised content and advertising, analyse our traffic, and ensure you see more of what you love.

The only thing that sounds clear is the drums, so if you’re a big fan of Phil Selway this one’s for you. The album as a whole, due to a lack of invention or really pushing in any new direction, isn't really on the same level as the holy triad that started with The Bends and ended with Kid A.

com, the Sell on Etsy app, and the Etsy app, as well as the electricity that powers Etsy’s global offices and employees working remotely from home in the US. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. The strings (and there are a lot of strings on this record) are beautiful - the arrangements really show off Jonny Greenwood's classical leanings - and Thom's voice is amazing, despite years of touring and knocking on 40's door. As "15 Steps" transitions from an electro beat to a full band number, the currents drag you deep into Radiohead’s idiosyncrasies, by the time Bodysnatchers hits (and it doesn’t half hit) nothing else seems to matter but the burnt out kraut hook and Yorke’s pained whines. On 'Amnesiac', which Radiohead made during the same recording sessions that yielded "Kid A", the band set out to erase all that their listeners once expected.