Les immortelles

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Na meirande parte do seu traballo, Irina vestía as mulleres de maneira extravagante, adornadas con xoias, guantes e outros artigos de luxo. Mais tamén as adornaba con obxectos simbólicos coma gargantillas e outras pezas fetiche, posando provocativamente, ofrecéndose a si mesmas parcialmente espidas e coma meros obxectos sexuais a posuír.

In 1974 she exhibited some of her work at the Nikon Gallery in Paris and attracted much attention. She was soon published in numerous magazines, books, and featured at galleries across the globe. Sylvia Kristel, Edition YNOX Paris (2014), ISBN 978-2-36699-012-6 (Edition de tête) & ISBN 978-2-36699-013-3 (Edition courante)

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From the age of 4 to 15 her parents sent her to Romania where she was raised by her family who were circus performers. After the Soviet occupation of Romania, she returned to Paris. From the ages of 15 to 22 she performed as a contortionist. [3] Irina Ionesco (born September 3, 1930) is a French photographer born in Paris, France. She was the daughter of Romanian immigrants. She spent her childhood years in Constanţa, Romania before she moved to Paris. She traveled and painted for several years before discovering photography. Her work is described as erotic. This exhibition, presented by the Vrais-Rêves gallery this fall, is not a retrospective, but more a tribute to this artist whom we have supported for many years. “Les Immortelles” in 1992 with the complicity of Christiane Regnault, “Kafka or the passer-by from Prague” and “Baby Jane” the same year, “Irina Ionesco, her world and fashion” in 2013, “100,000 years of beauty” in 2019. The place of fulfillment and jurisdiction is Berlin, Mitte. German law applies exclusively. The provisions of International Business law are expressly excluded. Irina Ionesco, nada en París o 3 de setembro de 1930 [1 ] e finada o 25 de xullo de 2022, [2 ] foi unha fotógrafa francesa.

Born in 1935, died in 2022 in Paris. Of Romanian parents, Irina Ionesco left France at the age of four to join her grandmother in Constanza in Romania. She returned to Paris in 1948, fleeing the Soviet occupation. At the age of sixteen, she started dancing and performed a contortionist act accompanied by snakes on the stages of all the major cities in Europe. In 1958, forced to abandon this life as an acrobat, she began to draw and paint. It was in 1964 that her friend the painter Corneille gave her a camera. This is how Irina begins to photograph places that have been inhabited by women who would be her double. She photographs the women she met and her daughter Eva. In 1974, her exhibition at the Nikon Gallery in Paris caused a sensation, a real starting point for a career rich in exhibitions and publications. In 1984, Irina embarked on introspective work by projecting herself in Robert Aldrich’s film “Whatever Happened to Baby Jane”, a work presented for the first time at the Galerie Vrais Rêves in 1992. Of course, every photograph contains within itself a part of its author, whatever the subject represented, like any work, whether visual, literary, or musical. It may even be a sine qua non condition to obtain this status. But there is much more to this statement than that. Ionesco published numerous books featuring her works. In 2004 she published a memoir, L'œil de la poupée. In 1974 she exhibited some of her work at the Nikon Gallery in Paris and attracted lots of attention. She was soon published in numerous magazines, books, and featured at galleries across the globe. Era filla de inmigrantes romaneses. Pasou a maior parte da súa infancia en Constanza, Romanía, antes de trasladarse a París. Viaxou e pintou durante anos antes de descubrir a fotografía. O seu traballo é descrito coma erótico.Ionesco continued to use her daughter as her muse until Eva was 12 years old, at which point social services intervened and Ionesco was stripped of custody of her daughter. [6] Over the following years the two would have a fractured relationship, with Eva asserting her mother was abusive and fighting for control of the images she appeared in. [7] Der Zuschlag verpflichtet zur Abnahme und Zahlung. Kommissionäre haften diesbezüglich für ihre Auftraggeber. Das Eigentum an dem ersteigerten Gut geht erst mit vollständiger Bezahlung, die Gefahr gegenüber jeglichem Schaden jedoch bereits mit dem Zuschlag auf den Ersteigerer über. Irina Ionesco (3 September 1930 – 25 July 2022) [1] was a French photographer. She traveled and painted for several years before discovering photography and eventually became known for her erotic photography and most controversially for using her pre-pubescent daughter as a model. No 1974, expuxo parte do seu traballo na galería Nikon de París, atraendo moita atención sobre as súas obras. Posteriormente publicou en diversas revistas, libros e expuxo en diversas galerías ó redor do mundo. Irina Ionesco foi quizais máis famosa polas súas imaxes mostrando a súa propia filla adolescente, Eva. Os espidos que caracterizou con Eva, provocaron controversia, xa que moitas destas imaxes mostraban unha adolescente en poses artísticas e eróticas; de maneira similar a outros traballos nos que os modelos, porén, si eran adultos.