But yeah, sometimes real life is getting him down, and throwing on that costume and swinging through the sky is the best thing ever! The exception was Mort Weisinger, who asked neighborhood kids what they would like to see Superman doing.

Her-oes (2010) #1-4 were released in this period but are out-of-chronology. It imagines several of Marvel’s female heroes as school students.

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Onslaught: See Guide to Marvel Universe Events – Onslaught. She-Hulk appears only twice in this event – in Avengers (1963) #400 and Fantastic Four (1961) #416. Avengers Disassembled: See Guide to Marvel Universe Events – Avengers Disassembled. She-Hulk plays a surprisingly large role in this crucial turning point of Avengers history. See Marvel Universe Events: Avengers Disassembled for collection information. She appears in #500-501 after She-Hulk (2004) #10 and in Finale after #12. She-Hulk’s approximate chronology during AvX: New Avengers (2010) #24, X-Men Legacy (2008) #266-267, Uncanny X-Men (2012) #12, Wolverine & The X-Men (2011) #11, Uncanny X-Men (2012) #12, Avengers (2010) #28, Avengers Vs. X-Men (2012) #7, 9, & 11 If people would maintain an open mind and actually read what you write, they may see things differently. Michael Penn:But Mr. Slott, when you ask "why tell any story," that begs instead of answers the question why tell a Spider-Man story that radically changes the character's essentials because those essentials are uninteresting to you personally instead of just going off and telling stories about other characters whose essentials do interest you. Comicbook characters have gone on for decades without radical changes featuring in new types of tales, unfamiliar situations, showcasing all-new, all-different experiences. That Spider-Man has half a century of history doesn't mean that the character as Lee-Ditko devised in him in his essence is played out! If someone today can't figure out what to do with that character, then move on, all for the better. In great part this also has again to do with the loss of an all-new, all-different kid audience every few years. To a new reader of 8-10 years of age, he doesn't nor should he care a whit about the fifty years of previous Spider-Man stories: nothing about the essentials of who Spider-Man is, as Lee-Ditko created him, could possibly be uninteresting to him!

Dan Slott: "After all, there's no big deal in Peter Parker becoming "Tony Stark" if the readers don't know how things used to be." Well, give MS. MARVEL, SQUIRREL GIRL, and SILVER SURFER a go, and I think you'll find your problem's solved. :-D Gerding, Stephen (January 19, 2018). "Dan Slott Leaving Amazing Spider-Man, Will Write Iron Man". Comic Book Resources. Archived from the original on July 4, 2018.

While She-Hulk was on hiatus in 2005, Slott penned the Spider-Man/ Human Torch miniseries, which chronicled the friendship of the two characters over the years, with each issue paying tribute to a different era of Marvel Comics. Mr. Slott, absolutely correct. Criticizing at the beginning of a storyline seems very unfair. If your goal truly is to tell great stories, honor the characters and their history and leave those toys just the way you found them, then kudos to you! I don't know much about your work but you seem like a real class act. Dan Slott (born July 3, 1967) is an American comic book writer, known for his work on Marvel Comics books such as The Amazing Spider-Man, as well as She-Hulk, Silver Surfer, The Superior Spider-Man, Tony Stark: Iron Man, The Mighty Avengers, and Fantastic Four. His work for DC Comics includes the books Arkham Asylum: Living Hell and Batman Adventures. Rogers, Vaneta (September 28, 2008). "Baltimore '08: Slott Takes On Mighty Avengers, More Marvel". Newsarama. Archived from the original on February 7, 2014. Slott’s newfound determination to legislate the Marvel Universe—and his curious line of questioning— eventually led him to answer one of the biggest questions in fans' minds: Couldn’t Spider-Man sue J. Jonah Jameson for libel? This led Slott to create a crossover between the hyphenated heroes, Spider-Man and She-Hulk.

After Contest: Incredible Hulk (1968) #278-279, Marvel Two-in-One (1974) Annual 7 & #96, Marvel Graphic Novel (1982) #16, Vision & Scarlet Witch (1982) #3, Amazing Spider-Man (1973) Annual 16 After Savage She-Hulks: The Incredible Hulk (1968) #610, New Avengers Finale (2010) #1 (cameo), Hulk (2008) #24 Heralds (2010) #1-5 Looney Tunes #13, 20, 25, 26, 44, 47, 49 – 52, 57, 59, 62, 65, 70, 75, 89, 93, 100, 104, 129, 171, 182, and 247 DC Comics, 1995–2019 So, thanks again Dan but I think you've only reinforced my perception that those at Marvel just don't get it.This is made worse by a scene where a man literally shames Jen for having slept with the Juggernaut – and rather than point out the misogynistic implications of that kind of shaming, Jen just argues that she never slept with him using petty continuity in the vein of the nerds who were gatekeeping her at that comic shop. It’s something that’s made more blatant by the all-male creative team and the way Jen’s drawn in so much of the book. Frequently it presents itself as empowering for her, but the book never shakes the sense that it’s inviting the readers to leer at the title character. Collects Sensational She-Hulk (1989) #1-12, The Sensational She-Hulk in Ceremony (1989) #1-2; and material from Solo Avengers (1987) #14, Marvel Comics Presents (1988) #18, and Marvel Fanfare (1982) #48. This August, Marvel’s Pull List is going all-in on everything Spider-Man to celebrate his 60th anniversary. In a bonus episode last week, legendary artist Mark Bagley discussed the death of Gwen Stacy, the art of ULTIMATE SPIDER-MAN, and his work on the end of the Spider-Verse. This week, longtime AMAZING SPIDER-MAN writer Dan Slott joined hosts Ryan Penagos, Jasmine Estrada, and guest host Anthony Carboni to discuss his own personal Spider-Man origin story, his She-Hulk and Spider-Man crossover in SHE-HULK (2004), and more.