La Tristesse Durera (Scream to a Sigh)

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La Tristesse Durera (Scream to a Sigh)

La Tristesse Durera (Scream to a Sigh)

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Edit to add: I found the letter in French because I looked for it in French (because the OP said, "la tristesse durera toujours"). I wondered whether the original was more likely to have been in Dutch but apparently Vincent started to write his letters to Theo using French rather than Dutch in 1886, when Theo moved from Holland to France. Doyle, Tom (June 1996). "Manic Street Preachers: Everything Must Go". Q. EMAP. p.116. Archived from the original on 21 April 2001 . Retrieved 23 August 2020.

https://www.straitstimes.com/lifestyle/arts/did-van-gogh-cut-off-his-ear-because-his-brother-was-engagedScream to a Sigh (La Tristesse Durera) (liner notes). Manic Street Preachers. Columbia. 1993. CSK 5319 . Retrieved 22 February 2020. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Stuart Bailie, writing for the NME, called the album "confusing" and "too much Slash and not enough burn", but did compliment its musicality, saying "the drums and guitars rumble higher in the mix, and massive, harmonising riffs are everywhere". [18] In his review for Vox, Keith Cameron remarked that the album showed Manic Street Preachers "skating gingerly over that treacherous Difficult Second Album ice". [25] Q 's Peter Kane was more critical, calling the album "superficially competent, of course, but scratch below the surface and you'll find few signs of life, just a vaguely expressed, bemused and bored dissatisfaction". [20] In Spin, Simon Reynolds opined that the band "motor-mouth a fine manifesto, but haven't got a musical bone between them". [26] Simon Price of The Telegraph opined that the lyrics on Gold Against the Soul "switched from the political [of Generation Terrorists] to the personal". [5] The lyrical content is considerably less political than their previous album Generation Terrorists, and the album is more reflective of the despair and melancholy of their later work. [3] la tristesse durera..." Manics.nl. 22 September 2007. Archived from the original on 15 April 2009 . Retrieved 7 December 2010.

A few moments later he felt suffocated and within one minute he closed his eyes. A great rest came over him from which he did not come to life again. Toujours is ambiguous in French in that it can mean "forever" or "still": so another translation could be, "(In that case) the sadness will still exist".Patashnik, Ben (25 February 2008). "Discography reassessed: the Manics in perspective". Drowned in Sound. Archived from the original on 4 February 2013 . Retrieved 10 January 2013. Four singles were released from the album. " From Despair to Where" was the lead single. " La Tristesse Durera (Scream to a Sigh)" was the second single from the album and it has been described by many as its highlight. The third single, " Roses in the Hospital", peaked at number 15 on the UK Singles Chart, the highest-charting single from the band's first three albums. [14] The fourth and final single, " Life Becoming a Landslide", charted at number 36, which would be the lowest charting single by the band until 2011's " Some Kind of Nothingness". [14] Gold Against the Soul saw the band experiment with styles including funk and grunge. [1] [2] The album's lyrical themes owed little to the political and social commentaries of its predecessor, and instead explored more personal themes of depression, melancholy and nostalgia. [3] Recording [ edit ] The fish­er­men know that the sea is dan­ger­ous and the storm ter­ri­ble, but they have nev­er found these dan­gers suf­fi­cient rea­son for remain­ing ashore” 11—The end of van Gogh’s story Posthu­mous psy­chi­atric diag­noses sur­round Vin­cent like a cloud—or per­haps even a cloak of pro­tec­tion. In his own time, he was diag­nosed with epilep­sy, schiz­o­phre­nia and sub­stance abuse, topped with a hunch of bor­der­line per­son­al­i­ty and bipo­lar dis­or­der assigned long after his life had elapsed. Mania might have encour­aged his urge to paint, but sad­ness and fear found their redemp­tion in his warm colour stud­ies. “[I]nstead of giv­ing in to despair I chose active melan­choly,” Vin­cent wrote. 1

to Theo van Gogh, Date: Arles, Tuesday, 25 September 1888, 687 (691, 541a): To Theo van Gogh. Arles, Tuesday, 25 September 1888. — Vincent van Gogh Letters Tangari, Joe (17 January 2005). "Manic Street Preachers: The Holy Bible". Pitchfork . Retrieved 9 January 2012. a b c Erlewine, Stephen Thomas. "Gold Against the Soul – Manic Street Preachers". AllMusic . Retrieved 31 December 2014.

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Gourlay, Dom (22 June 2020). "Manic Street Preachers: Gold Against the Soul – Deluxe Edition (Columbia/Sony)". Under the Radar . Retrieved 3 July 2020. As for whether it's a good translation, it's pretty good and is the most obvious way to translate it. a b Kane, Peter (August 1993). "Manic Street Preachers: Gold Against the Soul". Q. No.83. p.89. Archived from the original on 11 March 2002 . Retrieved 4 January 2013. I def­i­nite­ly want to paint a star­ry sky now. It often seems to me that the night is even more rich­ly coloured than the day, coloured in the most intense vio­lets, blues and greens. Van Gogh was at odds everywhere—in the church, in the artis­tic scene in Paris, in the com­mu­ni­ty of Arles, and also in Auvers-sur-Oise. In Auvers-sur-Oise, not every­thing was bad. He car­ried on a gen­tle romance with Gachet’s daugh­ter, felt tru­ly at home in Gustave’s Inn, and was so close to his broth­er Theo. Even if his attempt to belong was not always suc­cess­ful, there were moments of hap­pi­ness for Vin­cent, moments of peace. Did his sui­cide arise not from impulse, but rea­son? Did he calm­ly decide to put an end to his life? Or was there a per­son with whom he was in con­flict, even, per­haps, with his doc­tor Gachet, who envied his abil­i­ties and him­self led a failed artist’s life? For peo­ple with affec­tive dis­or­ders, it often doesn’t take a sharp trig­ger, a loud snap, to take the final step to the end. Even if Vin­cent did not shoot him­self, it was his deci­sion to sur­ren­der to death over the course of two days. “The sad­ness will last for­ev­er,” he con­fessed. 2

Stokes, Paul (12 May 2011). "Album A&E – Manic Street Preachers, 'Gold Against The Soul' ". NME . Retrieved 31 December 2014. a b c de Sylvia, Dave (20 August 2005). "Manic Street Preachers – Gold Against the Soul". Sputnikmusic . Retrieved 27 November 2012.The band stated that the choice to work with Dave Eringa again was important for this album: "We finished work in November and then just went straight into a demo studio and we came out about four weeks later with the album all finished. We were all happy with all the songs, we knew what they wanted to sound like, so we didn't want to use a mainstream producer because they've got their own sound and vision of what a record should be like. So we just phoned Dave up and said 'Look, come down, let's see how this works out', and everyone loved what we were doing, so we decided to stay with him." [3] La Tristesse Durera" (literally "the sadness will go on") is the title of a biography of Vincent van Gogh, although the song is not about him but about a war veteran. [6] Style and influences [ edit ] Dimery, Robert (2011). 1001 Songs You Must Hear Before You Die. Octopus Publishing Group. ISBN 978-1-8440-3717-9. Murray, Robin; James, Gareth; Diver, Mike (23 August 2013). "7 of the Best: Manic Street Preachers". Clash . Retrieved 3 July 2020. Gold Against the Soul Deluxe Re-Issue". Manic Street Preachers. 11 March 2020 . Retrieved 27 June 2020.



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