Painting walls and woodwork in the same colour, or slight tonal variations of the same hue, creates a monochromatic scheme that seamlessly stretches the look of the walls from the floor and ceiling,’ says Ruth Mottershead, Creative Director at Little Greene. A poignant collection of short pieces about the author's hometown, St. Petersburg, Russia, and the siege of Leningrad that combines memoir, history, and fiction. Please use this feature on your own historical photos and not on photos featuring living people without their permission.”

Living Pictures Summer Workshop: Stanislavsky’s ACTIVE ANALYSIS: for Actors and Directors, 3rd – 15th August

Current Projects

Garden Manager Sarah Redman brings her enthusiasm and wider knowledge of the natural environment and biodiversity. The benefits so far have been immense for our participants, sometimes providing the highlight of their educational week. Set in places as diverse as San Francisco, small-town Massachusetts, Siberia, and (of course) Leningrad–Petersburg, these stories come forward as searchingly intimate and by turns tender, sensuous, macabre, absurd, ambivalent, yet always immensely and movingly vulnerable.

Create a calm and cosy living room scheme by painting walls and woodwork to match in a dark, dusky shade. Warmer tones feel enveloping and rich and are ideal for living spaces where we want to relax and cocoon ourselves away. Don’t shy away from using darker paint colours in a small living room. Dark colours on walls can create a receding effect so that walls seem further away, visually enlarging the space.These fractured poem-stories are composed of disjunctively arranged images, slices of memory both personal and historical, and a shadowy array of citations of varying levels of obscurity and recognizability, creating unique prose tissues that carve out a space for themselves in an ambiguous zone between critical essay, autobiography, poetry, and short fiction. What is unambiguous is their success: They are extraordinarily powerful works, at turns densely evocative and dizzyingly erudite, doing many of the best things that writing can do. Barskova, following the method of her poetry, manages by painstaking technique and sheer force of image to ponder herself considering the Siege and its survivors, drawing from life and art to represent an experience of personal trauma mediated by communication with history. Our stakeholders include the students from the Canolfan Elfed Unit at Queen Elizabeth High School, who visit the land most days of the week learning new skills relating to tools and gardening, cooking and enjoying the outdoors. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Curabitur fermentum neque imperdiet tellus bibendum, ac semper felis rutrum. Aliquam erat volutpat. Integer maximus blandit gravida. Pellentesque dignissim turpis nibh, nec tempus nisl gravida laoreet. Morbi elementum iaculis risus, quis mollis sapien eleifend quis. Nunc vel aliquam augue, non vestibulum elit. Nullam eu commodo odio.

Integer nec erat eu arcu eleifend dignissim. Nullam ornare sapien in nibh pulvinar, sed volutpat risus interdum. Proin finibus ornare placerat. Ut luctus placerat arcu, vel tempus lorem pharetra et. Maecenas quis fringilla erat, eget commodo est. Pellentesque porttitor tempor convallis. Fusce consectetur orci ac fringilla tincidunt. Quisque eu mattis turpis. Maecenas scelerisque faucibus lorem, fringilla scelerisque massa tristique in. Cras sagittis commodo felis, eu ornare libero commodo at. Aenean convallis suscipit leo eget cursus. Nunc auctor est massa, sed ultricies augue vulputate et. Ut cursus mi quis velit pharetra mollis. Sed faucibus luctus neque. Cras facilisis urna mollis, dictum libero ut, porta lacus. Donec tincidunt felis nec ultrices blandit. Living Pictures: Photography in Southeast Asia considers the power of photography in affecting the way we see and approach the world, and its mobilisation in systems of knowledge and representation since it arrived in the region in the mid-19th century,” says curator Charmaine Toh. “This exhibition offers an additional strand in the tapestry that is the global history of photography.”

There are up to two million people in the UK living with severe sight loss, including 20,000 children. One in six of us will become blind or partially sighted by the time we reach 75. Blind and partially sighted people face constant challenges, for children they can’t take part in the same activities as their peers and siblings and often feel excluded, and in later life sight loss can be linked to increasing isolation and depression. A haunting and magnificent debut fiction collection. . . . This beautiful attempt to reconstruct the lives of the lost, blended with an account of a new life built from the rubble, deserves a wide readership. A session with Denise Gabriel is truly inspiring. I saw swift and significant changes in actors and a real sense of craft. A wonderful teacher.” Their work is based on a deep and intuitive insight into the varying tools young directors might need to develop and grow.”

While more traditional to paint skirtings and woodwork in standard white, this creates a harsh break that jars the eye visually, while continuous colour helps blur the lines and will also save cutting-in time when painting. Barskova’s arguments or presentations of history or biography tend to follow poetic logic, and her own biography and recollections rest atop the city’s tragedy. Living Pictures is a highly poetic book about memories of a Soviet childhood and a reinvention in the USA, with interludes of a choir of voices from St. Petersburg. Polina Barskova’s prose elegantly joins all the genres to create a new narrative form. Picture height is key too. In a living room, where you are more likely to be sitting down, hang artwork low enough so you can enjoy it while seated, with the centre of your image positioned roughly at eye level. Does every wall need decor? Our Carmarthenshire centre, Coed Dylan provides opportunities in sustainable gardening and land-based enterprises as well as creative workshops. Our mission there is to champion inclusion and nurture skills and lifelong learning via the natural world.Living Pictures is . . . a richly woven book on art, artists, the conditions of their mutual pervasion in times of endurance.