Shortly after the film's release in November 1945, Mandel Herbstman, the reviewer for the trade journal Motion Picture Herald, rated the production as only "fair". Herbstman was impressed, however, with the film's overall structure. "Venturing far from the familiar melodramatic pattern", he wrote, "director Edgar G. Ulmer has turned out an adroit, albeit unpretentious production about a man who stumbles into a series of circumstances which seals his doom." [16] He especially liked its conclusion and noted, "Making no compromise with the 'happy ending' formula, the film has a number of ironic and suspenseful moments." [16] The film was completed, negative cut, and printed throughout the late summer and fall of 1945, and was released in November of that year. The total period of preproduction through postproduction at PRC ran from March through November 1945. Détour Noir de Al Haramain Perfumes este un parfum Ambra Condimentat unisex. Détour Noir a fost lansat in 2021. Notele de varf sunt migdale, iasomie si chiparos; notele de mijloc sunt ambra, cedru si heliotrop; Notele de baza sunt vanilie, mosc si lemn de santal.

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|It's a tribute to Edgar Ulmer that "Detour", made for about thirty thousand dollars, still keeps an interest with new fans who discover it. According to some comments, "Detour" has not been seen in this country in quite a while, but we recall the first time we saw it when it was presented at New York's Film Forum as part of a Film Noir festival in the late eighties. The copy shown recently on TCM has a poor quality, while the print we saw at Film Forum was in better condition. With reshoots out of the question for such a low-budget movie, director Ulmer put storytelling above continuity. For example, he flipped the negative for some of the hitchhiking scenes. This showed the westbound New York City to Los Angeles travel of the character with a right-to-left flow across the screen, though it also made cars seem to be driving on the "wrong" side of the road, with the hitchhiker getting into the car on the driver's side. a b Corliss, Richard. "Top 25 Greatest Villains", Time (New York, N.Y.), April 25, 2007. Retrieved November 15, 2020.New interview with film scholar Noah Isenberg, author of Edgar G. Ulmer: A Filmmaker at the Margins Vera turned out to be Al's worst nightmare. She knows Al is not Haskell since she, herself, knows the man. Al ends up a virtual prisoner hiding in the apartment they have rented in Hollywood. He can't escape. When Vera realizes there's a lot of money to be made by having Al pretend to impersonate the dead Haskell, he refuses. She threatens to call the police and he is left on the other room pulling the telephone cord... Edgar G. Ulmer: The Man Off-Screen, a 2004 documentary featuring interviews with actor Ann Savage and filmmakers Roger Corman, Joe Dante, and Wim Wenders The film was released to television in the early 1950s, and it was broadcast in syndicated TV markets until the advent of mass cable systems. TV reviewers casually recommended it in the 1960s and 1970s as a worthwhile "B" movie. Then, by the 1980s, critics began citing Detour increasingly as a prime example of film noir, and revival houses, universities and film festivals began presenting the crime drama in tributes to Edgar G. Ulmer and his work. The director died in 1972, unfortunately before the full revival of Detour and the critical re-evaluation of his career occurred. Tom Neal died the same year as Ulmer, but Ann Savage lived long enough to experience the newfound acclaim. From 1985 until just two years before her death in 2008, she made a series of live appearances at public screenings of the film. [ citation needed]

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Gorman, Edward; Mossman, Dow (1988). "Introduction". In Gifford, Barry (ed.). The Devil Thumbs a Ride & Other Unforgettable Films. New York: Grove Press. p.2. ISBN 0-8021-3078-X. The film works because all the elements are in place in this satisfying 67 minutes work and because of the great performances Mr. Ulmer got out of Tom Neal and Ann Savage. Edmund MacDonald and Claudia Drake played Haskell and Sue. a b Herbstman, Mandel (November–December 1945). "Production Digest". Motion Picture Herald . Retrieved 18 October 2020. A remake of Detour was produced in 1992, starring Neal's son, Tom Neal Jr., and Lea Lavish, along with Susanna Foster making her first acting appearance in 43 years and her final appearance on film. Produced, written, and directed by Wade Williams and released by his distribution company, Englewood Entertainment, it was released on VHS and in 1998 on DVD. [22] See also [ edit ]Kehr, Dave (1992-12-11). "A LONG JOURNEY TO LEGITIMACY". chicagotribune.com . Retrieved 2020-06-04. English | Deutsch | Español | Français | Čeština | Italiano | Русский | Polski | Português | Ελληνικά | 汉语 | Nederlands | Srpski | العربية | Українська | Монгол | עברית a b c Morton, Lisa; Adamson, Kent (2009). Savage Detours: The Life and Work of Ann Savage. Jefferson, North Carolina: McFarland & Co. ISBN 978-0-7864-4353-6. OCLC 423587955. Al Roberts, an unemployed piano player, hitches a ride, arriving at a roadside diner in Reno, Nevada. Another customer in the diner plays a song on the jukebox, that disturbs Al, for it reminds him of his former life in New York City.

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Base notes: Sandalwood, Guaiacwood, Amber, Patchouli Indonesia, Vanilla, Cistus Spain, Leather, MuskDetour is a 1945 American independent [2] film noir directed by Edgar G. Ulmer starring Tom Neal and Ann Savage. The screenplay was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith's 1939 novel of the same title, and released by the Producers Releasing Corporation, one of the so-called Poverty Row film studios in mid-20th-century Hollywood. [3] The film, which today is in the public domain and freely available for viewing at various online sources, was restored by the Academy Film Archive in 2018. [4] In April that year, the 4K restoration premiered in Los Angeles at the TCM Festival. [5] A Blu-Ray and DVD was released in March 2019 from the Criterion Collection. [6] In 1992, Detour was selected for the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [7] [8] Plot [ edit ] Established in 1970, we are market leaders and pioneers in producing fine and unique Middle Eastern fragrances, including our renowned Agarwood, Bukhoors, Attars, Eau de Parfums, Body Lotions and Deodorants. Billy Halop was tested for the role of Al Roberts, was selected for the part, but was replaced by Tom Neal just three days before filming began. [13] Editing [ edit ] Savage in publicity still for the film Ebert, Roger (June 7, 1998). "Great Movies: Detour". Chicago Sun Times . Retrieved December 11, 2007.