Tiffen 5285B 52mm 85B Filter

Product Information

I've also seen "85" filters from still photography manufacturers that looked much browner then our customary Tiffen/Kodak "orange" filters. The following was translated from a little known parchment relating to a discussion between Rembrandt and one of his many patrons: The filtered one used an 85B and a FLD filter to achieve its effect. Don’t let your creativity be impeded by rules as to how a filter should be used. Contrast Filters: Patron: "Yeah, what's with that foreshortening stuff? I paid for everything in this room and I want it all to look BIG!!!"

As a general rule, a contrast filter will lighten its own color and darken its complementary color. Refer to the chart below to see how the main contrast filters affect various tonalities in a scene. Contrast Filter Each one increases your creativity, at a fraction of the cost you'd pay for either a mounted(ringed) filter or Cokin square alternative. Colored filters, according to their name, are pieces of colored glass placed behind the camera’s lens. These filters change how the camera sees light, which is influenced by the color of the filter. In addition to enhancing reds and oranges, the blue filters play up the contrast between them. Red Filters For Low Light PhotographySimilar experience with my few attempts at scanning cross processed reversal film. Contrast, yes! But colors? Totally dependant on what you do during scanning and post processing. Contrast filters are important for interpreting a scene. Imagine a medium red tulip that has medium green leaves. Shooting this scene without a contrast filter won’t differentiate between the two medium tones. They’ll both be the same tonality in the final image, making it pretty boring. Before we discuss the categories of filters, it’s important for us to understand why a photographer would choose to use filters in the first place. Some photographers believe that a scene should be shot without being altered in any way. Other photographers feel there are valid reasons for using filters. Each one is made with a patented shape that uses their little teeth on the side to "bite" onto the inside of the camera lens' standard filter thread. If need be you can press or screw them in a little for a little more compact fit. To remove, you pull the little tab onto which the filter type and exposure factor are printed. How about the use of 85-C filters, that equals 1/2 of an 85? It converts 3,800K to daylight for use in late afternoon, when a full 85 conversion would be too warm.

There will be some differences in look when you shoot without the 85 and have the lab correct it in printing. Without proper filter correction, your blues get over-exposed (or denser on the negative) and the reds gets under-exposed (or less dense.) Visually, this will make your reds less saturated, meaning that fleshtones will lose some of their color saturation (although this can be more pleasing in some cases.) Maybe the 85 is suggested for historic reasons - it is the correct filter for Kodachrome 40A and that is all that really matters! That's why you can't correct reversal film so well at a later stage. If the mid tones are corrected the highlights tend to turn orange. This effect was deliberately used the other way round to give blue skies were there were none for a wartime film made in a lifeboat somewhere up North (the name escapes me). A tungsten conversion 85B filter converts the light in a way that tungsten film, like CinbeStill 800T, can be used outdoors. 85B being "Full Tungsten Conversion (FTC)" is perfect for this time of the year where sunlight is often reduced outside. The exposure prolonging factor is 2X. As for using no filter and color correcting in the lab, my personal view has always been to correct in the camera. You might ask Why? Well --- The energized light carrying an image from a scene to the receiver when measured with a Kelvin temperature meter, is a mean average. Conversion filters correct the mean averages, but some points of light are warmer than the average and some points of light are colder. It is these slight color variations that give "LIFE" to color pictures.

My Experiments with Filters and Black and White Photography

The following is the first of three articles on using filters. Part One discusses the main categories of filters used in photography, essentially camera filters explained

A Nikon 85B filter is a filter used to correct the color balance of images taken under tungsten lighting. It is placed in front of the camera lens and allows only blue light to pass through to the sensor. This results in images that appear more natural, with accurate colors. Filters can also be used to reduce reflections, protect your lenses from potential damage, reduce light entering the lens, and even increase color. Furthermore, filters can actually be harmful if not properly used. Why Filters Are A Waste Of Money I came to the conclusion that the visual look of a correction filter was not necessarily an indication of it's ability to do it's job ... In conclusion, filters, as with most things in life, have their plusses and minuses. Hopefully my Camera filters explained guide is of some help. However, if you use a green contrast filter, the red tulip will be darker than the green leaves. This allows for some interpretation of the scene by the photographer. If you want to make some of the tones lighter or darker in B&W photography, a contrast filter is your best bet.

Filter Tips from the Film Community!

Color filters that incorporate rare dye materials. Used to alter the color wavelength of light. Filter No. As mentioned above, the primary purpose of these filters is to protect the front element of the lens from damage. The two main filters in this category are the Sky (1A) and the Haze (UV) filters. Some companies will designate these filters differently. There are two types of fluorescent filters available to photographers. The FLD filter is designed for daylight film. The FLB filter is produced for tungsten film. While both absorb light, it has been my experience that an extra half-stop of exposure is required beyond what the camera suggests. When taking photos at low ISO, a red filter makes it easier to see what’s happening to your sensor. A red filter can make photographs appear lifelike, especially when used in portraits or other situations in which you want to emphasize the features of the subject. Does Lens Filter Affect Image Quality? Without using one of these filters, your image will have a greenish tint if you’re shooting under fluorescent lighting. However, these filters won’t always produce the effect you expect.